Thursday, September 13, 2007

What to Draw

From UNCLE EDDIE'S THEORY CORNER!: WHAT TO DRAW WHEN SKETCHBOOKING

It's a fact: You can learn much about your art form by studying other art forms.

An artist and theoretician I admire is Uncle Eddie, veteran animator and esteemed man of the world. On Tuesday he posted the above blog entry.

Here are two quotes to ponder:
"If you draw people as individuals you'll end up as often as not with cliches: the middle-aged guy with a gut, the fat woman wearing tight clothes, the guy nodding off while he tries to read his newspaper, etc. That's because ordinary people people look pathetic when you draw them in isolation."
"Where people come alive is in conversation. That's where they become psychological and fleshed out. Take the fat woman. When she's talking she's no longer just a stereotype, she's a human being with a point to get across. She's more interesting."
Hear, hear! This goes along with something David Mamet rails about, namely "Dead Kitten speeches." In order for dramatic literature to be dramatic, you must see the interplay of characters. Bad writing shuts down the forward momentum of a play so we can see just how boring a character is (i.e. a horrible monologue.)

A well-crafted monologue somehow creates the same effect good dialog creates; it moves you forward in the story.

Good food for thought!

No comments: